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Thursday 24 June 2010

Placido Domingo Born 1941

Placido Domingo is a member of the elite "3 Tenors" which also included Luciano Pavarotti and Jose Carerras, Together they entertained hundreds of millions worldwide. Placido Domingo started out as a baritone and then became the wonderful Tenor we know him as, he has at least 120 plus roles in his repetoire.

Making him the Tenor with most learned roles at his disposal. Recently he has gone back to being a baritone, and also trained as a very fine conductor as well. Lets hear the great man right now.....



Wonderful Bravo Placido!



I think he is well worth another listen to....dont you ?



What can you say really except "WOW"

Sunday 20 June 2010

Vladimir Galouzine Born 1956

Vladimir Galouzine really made me sit up and listen, he has a really wonderful voice that is exciting to listen to. After leaving the Novosibirsk Conservatory in 1981, he intially appeared in Russian Operettas.
Then eight years later he sang the lead in "Gianni Schicci", and went on to do italian opera,s and various other things (and still does to my knowledge.

Lets hear him then, and you make your mind up about his voice.



Here is another for your enjoyment :)



I hope you agree with me, he really has got a lovely voice.

Thursday 17 June 2010

Jussi Bjorling 1911 - 1960

Jussi Bjorling was a swedish tenor, who graced many of the famous opera houses including of course the met in new york. He really was a force to be reckoned with (vocally) and dominated, along with a few others the early to middle parts of the 20th century.

He started singing aged four with the "Bjorling Male Quartet" and they performed in varied and wide places for eleven and a half years. Finally making his professional debut as the "Lamplighter" in Manon Lescaut in 1930,
Lets hear his truly beautiful voice right now singing Salut demeure from Faust.



That was a real pleasure to listen to, i am sure you will agree. Lets listen to one more from this Tenor Great. And this is a real world favourite duet, Jussi Björling & Robert Merrill / Pearl Fishers Duet.



Was that not just Heaven to listen to?

Tuesday 15 June 2010

Carlo Bergonzi Born 1924

Carlo Bergonzi is an Italian Tenor, he is mainly connected with the Verdian roles. And is credited with keeping Verdi,s lesser known works alive, Essentially a lyric tenor with spinto capabilities, Bergonzi was loved during the peak of his career for his beautiful diction, smooth legato, warm timbre and elegant phrasing. Lets listen him with an Aria from "Luisa Miller" "Quando le sere al placido"



A truly beautiful voice, you cannot fail to be in awe of this performance.

Friday 11 June 2010

Enrico Caruso 1873 - 1921

Enrico Caruso was the master at singing and really set the standard, His influence on future french and italian tenors is widely acclaimed by all, He also appeared an amazing 863 times at the Met in New York.

His tremendous record sales and extraordinary voice, celebrated for its power beauty, richness of tone and remarkable technique, made him arguably the greatest male operatic singer in history. Sadly he died in 1921 aged just 48, from a major viral infection. Lets hear the master at work....



Lets hear another (too good to miss out here)



And finally the sad piece, marking caruso,s funeral



The Tenor Voice is much richer and beautiful im sure, because of Enrico Caruso UA-13138331-5

Tuesday 8 June 2010

A very interesting website about history of the tenor voice

While i was searching the internet i found this little gem about the history of the tenor voice, and is well worth visiting and taking a look. As i find these real useful reference sites i will include them because i feel it adds to our knowledge base of our favourite subject.

Steve Thorn

THE HISTORY OF THE TENOR VOICE

Monday 7 June 2010

Jean De Reszke 1850 - 1925

Jean De Reszke was a polish tenor born into a well to do family in warsaw, and was one of if not the biggest male opera star of the late 19th century. He started out at a university studying but not for long as he switched and went to milan to study singing, where he made his first appearance as a baritone.

He did not quite make it as a baritone and so went into a period of further study, where he emerged as a tenor. his first reappearance at Madrid in 1879 it was as a tenor, in the title-role of Robert le Diable. he also reappeared in drury lane as radames in aida.

He went to london, paris and of course america, where from 1893 - 1899 he sang yearly at the metropolitan opera house. In 1904 he was forced to retire from the stage due to illness, where he travelled between nice and paris training voices.

Enrico Caruso (23 years his junior) took up the mantle of the worlds number one tenor, There is two very bad recordings of his voice and i have included them here despite the awful sounds. in parts you can still hear the quality of Jean De Reszke,s voice, but be warned you have to be patient and really want to hear him.






Although the recordings are very hard to listen to, i had patience and im glad i did, because here and there the beauty of his voice shined through.

Sunday 6 June 2010

Francesco Tamagno 1850 - 1905

Francesco Tamagno was an operatic "Tenore Robusto" a very rare voice indeed and came from Italy. It is said that he had a top of C Sharp and the top half of his voice was so powerful it was likened to a "Trumpet even a Cannon". He assured his place in musical history with the role of "othello" and became the first tenor in history to leave a sizeable amount of recordings of his voice. Lets listen in right now. "Esultate from Othello 1903"



You can certainly hear the quality in his voice and feel the power that in his voice, i have to say i love this tenor!

Lets hear something else by him "Deserto Sulla Terra--Trovatore"



He sang in approx 55 opera,s and sacred works in 23 countries around the world, He also lived long enough to see the start of Enrico Caruso,s career who he admired, and he predicted several years earlier that caruso would become the number one italian tenor of the 20th century.

Although he could say "fluctuate in musicality" his powerful voice was just adored as he sang the major arias from the operas. (Cant help loving his voice)

Thursday 3 June 2010

More about Mario Lanza

I have seen a good source of information and commenting on Mario Lanza, and thought it might be good to post it here so you can go over and see for yourself.

June 2, 2010

Career


Mario Lanza at HOME- a scorching 1952 Un dì all’azzurro spazio

Mario Lanza (1921-1959) Almost 50 years after his death at age 38, Mario Lanza continues to command a formidable, worldwide following. A brief scan of Youtube alone reveals nearly 20 pages of Lanza videos, from contributors of diverse nationalities. And I receive far more comments about him than any other singer that I’ve posted on my channel


This Excerpt has been taken from the following link

Click Here

Have another Mario Lanza Recording to listen to here as well.



Ok an Encore!



Mario Lanza to me is one of the best Tenors who ever lived.

Wednesday 2 June 2010

Francesco Signorini 1861 - 1927

Francesco Signorini was a Dramatic Tenor and a pupil of Tamberlick, i cannot seem to find an abundance of information on this Tenor but will keep trying. What i can say is what a Gem of a voice, listen in and enjoy its superb. Francesco Signorini sings :"O muto asil del pianto". Guglielmo Tell. 1908 ...



I did say this was a gem of a voice, and i hope you agree, as with all the Tenors listed here have your say. Comment here and why not go over to the Facebook page (link on the sidebar) and lets all talk Tenors.

Giuseppe Borgatti 1871 - 1950

Giuseppe Borgatti was an italian Dramatic Tenor, he created the main role in "Andrea Chenier" and later was really famous for his Richard Wagner roles. He was at La Scala from 1896 to 1914, when sadly eyesight problems caused by glaucoma, put an early end to his stage career. He was also reputed to have train Heddle Nash the English Lyric Tenor. From "Othello" lets hear him sing "Niun Mi Tema" .



You can certainly hear the beauty of his voice shining through, it must have been a very far reaching and powerful voice in the auditorium. What a shame his stage career was cut short by visual problems.